Comic Series

Here We Are At the End of 2021

Realizing that the last post was December 30, 2020 and feel like I need to do better in 2022. This website has been long neglected. Still, I thought I’d take time to share some of the thoughts on 2021 I had in my weekly newsletter.

For very obvious reasons, 2021 mainly just felt like a continuation of last year. Spending a lot of time at home and taking a lot of the same precautions, etc. Like a sequel no one asked for but we got anyway. It wasn’t great but it wasn’t terrible. Luckily, there were some variations from last year and a lot of positive updates.

Mega Centurions: Mega No More

For one, Mega Centurions is finished! It took some years but we were finally able to get everything done and in the can last month. Not only that, but I pitched the book to a comic publisher and it got picked up. So expect to see some news once the announcement comes down the pipeline early next year! No one knows what will happen with things as they are, but I’m excited for next year in one regard.

I also got to write another issue of Salty Roos. I hit the road for the first time since 2019 in order to help a colleague with some Kickstarter reward packing. On top of that, I got to talk to friends that I hadn’t seen in years. While things were far from perfect, I feel like I’m ending a better place than where I was this time last year.
 
In some ways, 2021 feels like it was also a year of helping clear the way for bigger opportunities in 2022. Mega Centurions took up a lot of my mental space even when we weren’t actively working on it. Having it done and in place at a publisher who will be taking care of certain things will be a big weight off of my shoulders for next year. It might open up space to work on some smaller projects and open new horizons. Perhaps branch out into some non-comic writing. Who knows? Of course, some new world-altering event could be on the horizon but I’m keeping my hopes up.
 
2021 wasn’t a great, but there were enough small victories to keep me going and hopeful for 2022.

But I’ll be so pissed if an asteroid or the zombie apocalypse happens before Mega Centurions hits stores next summer.

Secrets & Shadows, Mega Centurions, and The Cost of Saving the World

Originally posted in the December 5th edition of my weekly email/newsletter.

Recently, I’ve been thinking a great deal about my first comic, Secrets & Shadows, and my most recent one Mega Centurions. Both are drawn by Dexter Wee (who did the all the covers and started doing interior art from issue #2 onward) with Kote doing the colors/grayscales. Both focus on heroes, though Mega Centurions pulled inspiration from Japanese-based Power Rangers and Voltron rather than the US-based cape superheroes of Secrets & Shadows. Both are fairly serious stories with moments of humor as opposed to something like Clusterf@#k. And I guess most importantly, both show the cost of saving the day/city/world.

While it is much less prominent in Secrets & Shadows, we do get to see it through Joseph’s father. As Black Sun, he was the city’s greatest hero, the bright light that shone across the city, the benchmark for all of the other heroes. But in the big climactic battle, he lost his wife and killed his greatest enemy. Now, the city hasn’t had a supervillain in years and things are relatively peaceful but he drinks alone in his house.

He’s know longer a hero and it’s implied that he was pushed out of the superhero group he founded. It’s also made clear that he doesn’t have that great of a relationship with Joseph, who now dislikes heroes. So he saved the day, but he lost a substantial amount in the aftermath. Because it was in the periphery, we don’t get to delve into what he’s going through as much as his son. But it is there. Mega Centurions on the other hand, the issue is much more prominent.

The focus is on Cassidy, Reggie, and Thad so we get to see where they are and their struggles. Originally, they were all on track to graduating at the top of their class, but now they work seemingly dead-end jobs. They saved the world from an evil alien prince, but now they can barely cover their rent. They don’t see their families and are trying to come to grips with where the current situation. Unlike Black Sun, the Mega Centurions were still in high school with little to fall back on so the fallout was much more costly. Black Sun was already arguably at the end of his prime. These kids lives were just beginning.

The idea originally came from the idea of how the Power Rangers ever graduated when they had to duck out of classes and tests all the time which made me think about how much someone would have to sacrifice. The more I thought about it, the less funny and goofy the story became. The story does get lighter as things go on, but it is a much more serious affair than I originally intended. I think it started to hit close to my experience watching people who made sacrifices to help other people only to end up worse off. And that’s something that’s been touched on in comics before.

The bigger the heroics, the bigger the sacrifice.

Of course, that doesn’t mean that all comics with heroes should have that. Give me something inspirational and happy. Give me the superheroes with the balanced lives and healthy family dynamics. Give me bright and cheery over realistic grittiness. I don’t mind those stories and I enjoy them.

But I don’t have that story in me. At least not yet.

I’ve been keeping Mega Centurions close to the chest (for good or ill), but I do think that the story isn’t going to completely go where people might expect. I do think it ends on a hopeful note, but not in the conventional comic book sense.

Because while I believe things have to come at a cost, I don’t think they are ones that you necessarily have to pay forever.

Suit up! Check Out This Mega Centurions #1 Preview!

I know it has been quiet these past few months here, but 2020 has been… a year. So in honor of my birthday, here is a preview of the first issue/chapter of my new comic Mega Centurions: Mega No More that I hope to roll out next year. Check it out.

Art by Dexter Wee, Colors by Kote Carvajal, Letters by Cristian Docolomansky, and edited by Steven Forbes.